Take Five with Sara Moulton, On Life After the Demise of Gourmet Magazine
These days, Sara Moulton is almost a rarity among TV cooking show stars.
She’s a cook’s cook, a graduate of the prestigious Culinary Institute of America in Hyde Park, NY, who worked on the line at restaurants in Boston, New York and France for seven years, before becoming an instructor at Peter Kump’s New York Cooking School in New York, and finally executive chef of Gourmet magazine, where she worked until it unceremoniously ceased publication on October 2009.
Moulton, who lives in New York with her husband and two children, has been anything but idle since then. Her third cookbook was just published this month, “Sara Moulton’s Everyday Family Dinners” (Simon & Schuster). The book reinterprets what constitutes dinner and provides inventive, healthful fare to wake up that end-of-the-day meal.
You can meet Moulton at three upcoming Northern California events. She’ll do a cooking demo and sign copies of her new book at 11:30 a.m. May 18 at Sign of the Bear in Sonoma. For more information, call (707) 996-3722.
She’ll also do two cooking classes and book signings at Draeger’s markets: 5 p.m. May 18 at Draeger’s at Blackhawk in Danville; and 5 p.m. May 19 at Draeger’s in San Mateo. Tickets to either event are $80 per person.
I had a chance recently to chat with Moulton by phone about her new book, the changing culinary landscape, the shock of being unemployed, and the demise of the magazine we all loved.
Q: How did you find out that Gourmet was going to fold?
A: The magazine was way down in advertising pages, but so were many magazines at Conde Nast. We’d already been told we had to cut back 25 percent of expenses. We were already walking around, thinking, ‘Who’s next?’
We thought we were special — a jewel in the crown. We won all sorts of awards. We’d been going through a rough period, through many publishers, and we were way down in sales staff. We knew it was coming, but didn’t know it was coming.
I’m not mad. I know Conde Nast had to make choices. I found out on a Monday morning, when I was out doing a photo shoot for my cookbook. We were at the farmers market with the photographer and had just gotten started. My cell phone rang at 9:30 a.m. It was my chef de cuisine, calling, and she was crying. I thought somebody had died. She said that they were shutting down the magazine, that there had been a meeting with the staff.
My immediate boss then called to tell me we had to have everything out by Tuesday at 5 p.m. It was quite a scramble.
Q: Where you able to pack up all the things that had been meaningful to you all those years?
A: My husband came to the office and helped me. We packed 35 boxes of books and shipped them home. I gave a bunch to Columbia University, and we built a new bookshelf in my son’s room.
I also took an old copper bowl, with Conde Nast’s permission. It’s from France, from the same cookware store that Julia Child used to buy her cookware from.
It’s a very heavy bowl. At my last restaurant job, I was the chef tourneau (substitute cook), who could work any station necessary. One thing I had to do at times was pastry, which was not my forte at all. We had an apricot souffle on the menu, made with dried California apricots, sugar, lemon juice and egg whites. We used to make the recipe by hand, whipping the egg whites by hand. We’d make seven souffles at a time.
On Saturday night that was my job. I’d have to make four or five batches. This bowl is a dead ringer for that bowl. The apricot souffle finally ran in Gourmet, and I also would teach people at classes how to do it by hand. The first time you whip egg whites or make bread, you should really do it by hand because you get a feel for it more. I didn’t want to leave that bowl behind. I didn’t want someone who didn’t care about it to just grab it and throw it out. It hangs in my kitchen now. I’m looking it as we speak.
Q: Your job at Gourmet was probably every foodie’s fantasy.
A: As the executive chef of the dining room, I cooked meals for the advertisers. We’d wine and dine them. Then, we’d hit them up for advertising. It used to work really well. (laughs). I was making the best food of my life in that dining room. It was a great job.
Q: Do you have a huge stack of Gourmet magazines at home?
A: I had all the issues from 1970 to 1980, which my aunt had given me before I started working at Gourmet. Then I kept every magazine from day I started. But the day I walked out of there, my chef de cuisine said, ‘You can find all that on Epicurious.com.’ So, I left them. I don’t have the issues from 1980 to now. I wish I had taken them.
But Conde Nast has decided to license the Gourmet name, and has hired me as a consultant, so I can probably get those issues back.
The end of the magazine was sad. But I’m excited about doing something new. It’s exactly six months today that I’ve been unemployed. I’m the main bread winner in my family, so I have to make money. (Her husband is a writer, working on a book.)
Q: How would you say that your new cookbook differs from so many other quick-cooking ones out there in stores?
A: I’ve always had one job or three, but I’ve also always had dinner at home at least three times a week with my family. I tried to think of my own tricks. When I worked in restaurants, you have to have your mise en place, all your little bowls of ingredients all prepped ahead of time, because you are making one dish at a time. But at home, I was chopping an onion while heating the pan. Or I was chopping garlic while that onion was cooking. In this book, I dispense with mise en place except for Asian recipes. I take advantage of simmering or searing time to tackle the next step. And if you need to, you can just pull the pan off the stove while you chop the next thing you need. Why do it all ahead of time? It’s a waste of time.
Q: Any other ways this book differs from your others?
A: In a hidden way, it’s also about health. I bulk up the recipes with vegetables. Protein portions are 4 ounces or less. In many recipes, I try to give suggestions for lighter options. If you eat this way, it’s just better for you, especially because in this country, we eat too much. The recipes have been tested even more than in my other two books. That’s because the recipes had to be written differently, to take into account where to insert instructions to chop the onion or the garlic.
In this book, I also take into consideration the economy. I don’t talk about pre-washed lettuce because it’s expensive. Why spend $5 on a container of lettuce when you can buy a head of lettuce for a lot less? Even I ask that. I’m unemployed.
I have a couple recipes for shrimp or scallops, but you won’t find prime rib or lobster in this book. I use cheaper cuts of everything. And I have a whole chapter on ‘Two for One.’ One of my favorites is where you use shoulder lamb chops, which are much cheaper than loin or ribs. The first night, you grill them and put herb butter on them. The second night, you take two of those leftover chops and turn them into lamb burgers in a food processor to make four burgers. Four burgers from only two chops!
Q: I like how you reinterpret what dinner is, too. In this book, it’s not just a protein with a veg and starch on the plate. Is can be a sandwich, a hearty salad or even a bunch of appetizers. Is this how you eat at home?
A: Yes, absolutely. Mainly, because I got bored. My mom was very good cook, but we stayed to that traditional formula. Why not make it more fun? Why not have breakfast for dinner or a soup?
Q: Do you worry that too many people consider cooking pure drudgery today or complain they just don’t have time for it?
A: I try to pretend it’s not true to convince them they’re wrong. How have we gotten to this point where we have no time for cooking? We just decided it’s not a priority. Yet we have all those hours for watching TV or being on Facebook. If you want to do it, you really can. It’s your choice. It’s not like you have to magically find a 25th hour in the day. It’s there.
Q: What ingredient do you wish more people would discover?
A: Chervil. It’s such a wonderful fresh herb. They use it beautifully in French cooking for finishing dishes like seafood salads. Pumpkin seed oil is another great ingredient, especially in salads. And pistachios. Nuts are healthy for you, even if they are high in fat.
Q: What ingredient do you wish people would use less of?
A: Sugar in savory dishes. I don’t like it unless it’s well balanced. I’m tired of going to restaurants and wondering if this is the entree or the dessert. I understand sugar is an accent, but I think it’s being overdone. As a nation, we’ve gotten addicted to sugar, so the tendency is to add it to a dish to make people like it more.
Q: What’s your idea of a perfect dinner at home?
A: Mine might be different than the rest of my family. A big bowl of soup with grilled bread and a tossed salad. That to me is sheer heaven. It’s comforting, healthy and nurturing. My favorite thing to eat is stinky cheese, though.
Q: What do you think of the trend in food shows that are more about competition or eating the most frightening or shocking thing?
A: I’m not into it, although I do like Anthony Bourdain. He’s a leathery, tough guy, but he’s the exception. I still like the PBS shows like Lidia Bastianich’s, because I actually learn something.
I’m a mom, a homecook and a professional. cook. To me, cooking is all about nurturing. Competition takes it as far away from what it should be.
Q: With blogs and so many other forms of culinary information online now, do you ever worry that there will come a day when someone like you becomes obsolete?
A: I think it’s already happening. (laughs) But I’m still blissfully ignorant. Even on my last book tour, people were saying they just download recipes, they don’t buy books.
People who came after me at the Food Network couldn’t cook and they became huge. I feel like I’m becoming obsolete, but I try to ignore it. I will start blogging every week. I hate all this ‘Me, me, me’ stuff. I am tweeting. But I don’t get it. Who cares about this kind of stuff? That’s what our culture is all about these days.
But I don’t want to sound too negative. All I really want to do is just help people to cook more and to get food on the table every night of the week.
Tomorrow: A Recipe For “Speedy Moussaka” From Sara Moulton’s New Book
Thanks for the interesting interview. I miss Gourmet Magazine very much!
Cheers,
Rosa
Gourmet’s memory will live on forever. Thank you for sharing Moulton’s experiences with it; and thanks to her for speaking of chevril!
Great artiicle! I just love watching Sara and wish she would get a new cooking show. I love to watch basic cooking shows that teach me something new without all the competition involved. I also miss Gourmet magazine.
Thank you for sharing this wonderful interview with us – we all definitely miss Gourmet. Will have to check out Sara Moulton’s new cookbook.
Sara is so sweet, direct, and sensible. Tell Sara I used to have a copper bowl like hers, but had to leave it when I divorced my first husband because I had no place to cook – sob.
It’s interesting to hear her say the people after her couldn’t cook – I agree with everything she said, but unfortunately, people tend to vote for the lowest common denominator, and that’s where the FN has gone. Thanks for this interview.
This really reminds me of how much I miss the days when the Food Network was all about cooking.
Thanks so much for this great interview. I always loved watching Sara’s cooking show. There was no excess flourish or theatrics. It was straight forward cooking and her love for the craft was evident.
What a refreshing q & a. I remember watching her show years ago and thinking her approach was a little too low-key for me, but now thinking about her tone and temperament I realize how much televised cooking shows have changed. She really did demonstrate the basics in such a non-threatening nurturing way. Hopefully the tide will change again cooking professionals like her.
Ahhhh… Sara was one of the first chefs I watched on tv… her and the two hot tamales… great interview, I’ll have to check out her book.
Nice spicy interview Carolyn! Gourmet magazine is still provoking yummy memories…
Cheers,
Gera
Wonderful interview! I so miss the chefs of Sara’s caliber on Food Network. I never failed to learn something from her shows. And, for the record, I still buy books! Her newest one will be on my shelf very soon.
I just love Gourmet magazines and I have stacks of them in my reading room, so classic! I wishes Sara the best and I know there will be a lot install for her! Wish one day i will meet her in person! 🙂
Despite never having seen one copy of Gourmet Mag (don’t throw hard stuff at me—I never claimed Foodie-hood), I did enjoy Sarah Moulton on Food Network back in the day where she totally engaged me with her human foibles: whoops, forgot to first add xxx, darn, didn’t sift that enough, ow, that’s too hot…etc. But she’d smile and carry on to finish a tasty dish. Anthony Bourdain cited her dismissal from FN as a pathetic example of dumping on the girl that got one to the dance. The closure of Gourmet Mag was cruel similar to the FN ending. As for her accepting a consultant job with Conde Nast, may they treat her well and grant her the respect this go-round she so richly deserves. Nice interview, CJ!
I think your job is a fantasy, too, Carolyn. I’d really rather chat up with these foodie stars, than do their job…I get the best of both worlds!
So happy to see this interview! I learned to cook by watching Sara on Food Network. I just adore her.
Excellent interview, Carolyn. FN needs chefs like Sara back! As for Gourmet, I really miss it. Bon Appetit just doesn’t cut it. At one time, I had every issue back to the early nineties. I even found a cache of old issues in a used bookstore dating back to the sixties but sold them in a move. What was I thinking? 🙁
http://hubpages.com/t/d8476 (my tribute)
Wotten1: Love the Bourdain comment. I miss Sara and “Molto Mario” from back in the early days of the Food Network. Those were two shows that actually taught ya something, rather than just aiming for shock value.
I enjoyed reading the interview and at the same time, felt sad for the folding of a great publication (seriously, I think they should fold up a magazine from the “Finance” or “Marketing” genre/category, rather than chop a food mag that talks about real food). My hands and feet are up for Sara’s “mission” on helping people to cook more and to get food on the table as often as we can. 😀
You’ve got such fantastic access to such great experiences Carolyn and this is just another fab article. It was interesting reading about the demise of Gourmet and how it happened so quickly! 😮
i always enjoyed her show–she knows her stuff. chervil, eh?
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Here in Belgium, we don’t know this chef! thanks for introducing her to me!!
What a lovely review, Carolyn!! Lucky you!
WOW fascinating interview! I miss seeing Sara Moulton on the Food Network and I REALLY miss Gourmet magazine. And I’m one of those people who still buy cookbooks (although I always end up reading them in bed) Can’t wait to pick up some chervil and pumpkin seed oil 🙂
I was never into Gourmet magazine much, (too many “about food and places to eat” articles not enough recipes) but the few recipes I tried from it always worked and were delicious. I’m so glad you were able to interview Sara Moulton. She was always one of my very favorite Chefs to watch and I learned a lot from her. I appreciated that she was more focused on explaining the preparation of her recipes and didn’t focus the attention on herself. I hope she finds another venue where she can bring food to people who actually want to cook the recipes she features. She’s a wonderful teacher.
Thanks for a great interview. I’d love to sit down with Sara sometime and show her the value of Twitter, it’s a great resource for food professionals, not just in promotion and marketing, but networking, news, and just being social with other food people.
Thanks for the interview. I love Sara Moulton and love everything she said in the interview.
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Carolyn – Excellent questions!
At one point I was going through my Gourmet collection and cutting out recipes. I still have years and years that are untouched and wish I hadn’t cut up all those others.
Carolyn,
Thank you for sharing this delightful interview. I’ve always been a fan of Sarah Moulton from FN time and now PBS.
PBS’s cooking shows are much more enjoyable to watch. No commercials during the show and the hosts are really teaching us to cook.
Excellent interview! I rarely watch Food Network. I still watch PBS and agree about Lidia and I love America’s Test Kitchen.
Her book sounds worth buying. I am have hundreds of cookbooks and will never stop buying them…but then, I still buy music CD’s.
i have followed sara for years and she is wonderful. i am one of the poeple that will never stop buying cookbooks in addition to other ways to feed my recipe collecting obsession. there is no better way to spend a free hour than curled up with a good cookbook. i am sure her new one will be no exception. i am looking forward to purchasing and reading it.
Great interview! Interesting questions, thoughtful answers. Thanks for doing this!
I’ll never understand why jobs let go of the older, wiser people that know how to do the job to get a young fresh pretty face that knows nothing about the job. It happens everywhere
Carol: So true. It happens way too often. Hopefully, the world will one day universally appreciated and value older, experienced, talented people for all they are worth.
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Sara has always been my favorite teacher. At age 83 i think of her when i utilize her techniques, ie: chopping an onion.
Thanks for the interview!
Today is 3-14-24 and i would love to know what brand of non stick skillet she was using!!
Sara is so talented and i love the presentations as well.
She never seems to age, so beautiful.
I wish her the best, she is so deserving.
Hi Mary: I love how big a fan you are of Sara’s. She is such a wonderful teacher and her recipes always work so well. I’m not sure what kind of pan she was using then, as this interview was done quite a while ago. But I’m sure she’d be the first to say that if you treat a good quality pan well, it will last a long time and be indispensable.