Category Archives: Food TV

When Did Eating Get So Complex?

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It’s complicated.

Boy, is it.

When it comes to eating these days, it seems like it’s never been harder to try to do the right thing.

This past weekend at the Monterey Bay Aquarium, a bevy of journalists, scientists, environmentalists, farmers, chefs, and yours truly gathered together for the annual “Cooking For Solutions” event that’s dedicated to promoting sustainability on land, sea and air.

Chef Suzanne Goin of Lucques in Los Angeles was honored as “Chef of the Year” by the aquarium. And Chef Rick Bayless of Chicago’s Topolobampo and Frontera Grill was named “Educator of the Year.”

They were joined at the event by a roster of big-name chefs, including Rick Moonen of RM Seafood in Las Vegas; Kevin Gillespie of Woodfire Grill in Atlanta and “Top Chef” fame; Gerald Hirigoyen of Piperade and Bocadillos, both in San Francisco; Charles Phan of the Slanted Door in San Francisco; and Joanne Chang of Flour Bakery + Cafe in Boston.

The event was a festive affair with gourmet eats and drinks — all sustainable, organic or biodynamic, of course.  But it was also a sobering affair as experts weighed in on how our eating choices have affected the planet.

Food for thought:

Over the past 50 years, we’ve gone from consuming 10 kilos of fish per person annually to 17 kilos.

Half of our seafood consumption now comes from aquaculture, not wild species. Eighty percent of the fresh and frozen salmon consumed in the United States is farmed. Seventy-five percent of the shrimp consumed in the United States is farmed. A great majority of our farmed seafood is produced in Asia, where standards may be less stringent than in other parts of the world.

Most farmed fish are fed pellets made of fish meal. Although carp and tilapia can subsist on plant-based diets, about 50 percent of carp that’s farmed and more than 80 percent of tilapia that’s farmed end up being fed fish meal.

Fish farms in the ocean can lead to pollution, disease and escapement of these fish into the wild. But experts say that even on-land, enclosed fish farms have escapement issues with tiny fish making their way into drains.

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Take Five with Chef Rick Moonen, On “Top Chef Masters” and Saving the World’s Seafood Populations

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In person, talking a mile a minute, and jumping up from his chair to make a point with arms gesturing wildly, Chef Rick Moonen is a blur of frenetic energy just as he is as a competitor on this season’s “Top Chef Masters.”

The 53-year-old chef jokes that he gets mistaken for fellow bespectacled, facial-scruffed Chef Rick Bayless ever since the two of them appeared together on the first season of that wildly popular Bravo TV show. This despite the fact that Moonen is a Las Vegas chef, whose restaurant RM Seafood is known for its menu of eco-friendly fish, and Bayless is a Chicago chef, whose restaurants Frontera Grill and Topolobampo, are famous for authentic Mexican cuisine.

Indeed, at RM Seafood, Moonen has banned Chilean Sea Bass, Japanese hamachi, monkfish, and grouper from his menu because they are so over-fished. He also refuses to serve Atlantic farm-raised salmon because of its destructive impact on the environment. Instead, he takes pride in featuring sustainable, but lesser known species such as Hawaiian walu and Australian ocean trout.

If he hadn’t been a chef, Moonen, who grew up playing with chemistry sets and Tinkertoys, says he would have been a teacher or doctor of alternative medicine. Good thing for us, he chose the culinary road instead.

Moonen was in Monterey this past weekend, where he was one of the guest chefs at the ninth annual “Cooking for Solutions” event at the Monterey Bay Aquarium. I caught up with him during a break to chat about his redemption on this season’s “Top Chef Masters” and about his dedication to the world’s oceans.

Q: When I interviewed Chef Michael Chiarello of Bottega in Yountville about his defeat in last year’s ‘Top Chef Masters,’ he said you were the one who really would have given him a run for his money in the competition. Was it a huge disappointment to you last season when you were knocked out practically at the start because you weren’t able to plate anything before time ran out in the first ‘Quick Fire’ challenge?

A: I would have beat him. He knows it. I know it. (laughs) If I had just put a piece of parsley on the plate, I would have had it.

That’s why this year, they created the ‘Moonen Rule.’ The ‘Quick Fire’ scores don’t count now in the final tally.

Q: That’s right! Seriously, that change came about because of what happened to you last year?

A: No one told me that officially. But I think it is the ‘Moonen Rule.’

It was a very big disappointment for me last year. I realized I blew it. It’s me, I’m anal-retentive, compulsive, ADD-Rick. Imagine you’re a clown. I grab you and put a gun to your head and tell you that you have to be funny. That’s what it felt like. Now, if you had given me a minute to really think and organize, I would have kicked his butt.

Q: Why did you want to do the show in the first place?

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Orlando: Backstage Eats at Epcot and A Restaurant Called the Ravenous Pig

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When I wasn’t eating my way through 27 sweet treats as a judge at the recent Pillsbury Bake-Off in Orlando, I was — well — eating still some more.

You see, the Pillsbury folks wanted to make sure none of the 12 Bake-Off judges were ever in danger of having the slightest hunger pang. Perish the thought.  So we were fed. Then, fed again. And on it went, calorie after lovely calorie.

Here are the highlights:

We were treated to a welcoming party at Epcot, where six of the theme park’s restaurants had set up cooking stations inside a large kitchen area. Epcot Executive Chef Jens Dahlmann was on hand to greet the judges and members of the media.

We mingled as we enjoyed sips of wine and tastes of cute little lamb sliders with tomato marmalade, shrimp in green curry sauce with fragrant basmati rice, duck two ways — smoked breast and leg confit with tomato and egg fettuccine, porcini-dusted beef tenderloin, and a fab fisherman’s stew by “Iron Chef America” Cat Cora’s Kouzzina restaurant.

My favorite nosh, though, had to be the martini glasses of spicy sashimi-grade tuna tartare with cucumber, daikon and pepper salad, and avocado-wasabi sauce and crisp lotus root chips. That dish, from the Hollywood Brown Derby at Epcot,  was so good that I even went back for seconds. Shhh, don’t tell anyone.

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Sara Moulton’s Speedy Moussaka

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Sara Moulton, the executive chef of the now-defunct Gourmet magazine, reinterprets the look of dinner in her newest cookbook, “Sara Moulton’s Everyday Dinners” (Simon & Schuster).

Why settle for boring ol’ chicken with a veg and starch on the side, when you can whip up the likes of “Fried Eggs with Crispy Kimchi Rice,” “Spring Soup with Bread Dumplings,” and “Reuben Pizza” for dinner instead?

Her recipe for “Speedy Moussaka” especially caught my eye. I love a good rendition of this traditional Greek casserole. But I often feel in need of a serious snooze afterward, what with the greasy, fried eggplant slices and the heavy bechamel sauce covering everything.

Moulton’s version calls for a mix of ricotta, feta and yogurt in place of the enriched French milk-butter sauce. The eggplant slices also are baked, rather than fried. The result is a moussaka that’s not only faster to make, but lighter tasting, too.

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Take Five with Sara Moulton, On Life After the Demise of Gourmet Magazine

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These days, Sara Moulton is almost a rarity among TV cooking show stars.

She’s a cook’s cook, a graduate of the prestigious Culinary Institute of America in Hyde Park, NY, who worked on the line at restaurants in Boston, New York and France for seven years, before becoming an instructor at Peter Kump’s New York Cooking School in New York, and finally executive chef of Gourmet magazine, where she worked until it unceremoniously ceased publication on October 2009.

Moulton, who lives in New York with her husband and two children, has been anything but idle since then. Her third cookbook was just published this month, “Sara Moulton’s Everyday Family Dinners” (Simon & Schuster). The book reinterprets what constitutes dinner and provides inventive, healthful fare to wake up that end-of-the-day meal.

You can meet Moulton at three upcoming Northern California events. She’ll do a cooking demo and sign copies of her new book at 11:30 a.m. May 18 at Sign of the Bear in Sonoma. For more information, call (707) 996-3722.

She’ll also do two cooking classes and book signings at Draeger’s markets: 5 p.m. May 18 at Draeger’s at Blackhawk in Danville; and 5 p.m. May 19 at Draeger’s in San Mateo. Tickets to either event are $80 per person.

I had a chance recently to chat with Moulton by phone about her new book, the changing culinary landscape, the shock of being unemployed, and the demise of the magazine we all loved.

Q: How did you find out that Gourmet was going to fold?

A: The magazine was way down in advertising pages, but so were many magazines at Conde Nast. We’d already been told we had to cut back 25 percent of expenses. We were already walking around, thinking, ‘Who’s next?’

We thought we were special — a jewel in the crown. We won all sorts of awards. We’d been going through a rough period, through many publishers, and we were way down in sales staff. We knew it was coming, but didn’t know it was coming.

I’m not mad. I know Conde Nast had to make choices. I found out on a Monday morning, when I was out doing a photo shoot for my cookbook. We were at the farmers market with the photographer and had just gotten started. My cell phone rang at 9:30 a.m. It was my chef de cuisine, calling, and she was crying. I thought somebody had died. She said that they were shutting down the magazine, that there had been a meeting with the staff.

My immediate boss then called to tell me we had to have everything out by Tuesday at 5 p.m. It was quite a scramble.

Q: Where you able to pack up all the things that had been meaningful to you all those years?

A: My husband came to the office and helped me. We packed 35 boxes of books and shipped them home. I gave a bunch to Columbia University, and we built a new bookshelf in my son’s room.

I also took an old copper bowl, with Conde Nast’s permission. It’s from France, from the same cookware store that Julia Child used to buy her cookware from.

It’s a very heavy bowl. At my last restaurant job, I was the chef tourneau (substitute cook), who could work any station necessary. One thing I had to do at times was pastry, which was not my forte at all. We had an apricot souffle on the menu, made with dried California apricots, sugar, lemon juice and egg whites. We used to make the recipe by hand, whipping the egg whites by hand. We’d make seven souffles at a time.

On Saturday night that was my job. I’d have to make four or five batches. This bowl is a dead ringer for that bowl. The apricot souffle finally ran in Gourmet, and I also would teach people at classes how to do it by hand. The first time you whip egg whites or make bread, you should really do it by hand because you get a feel for it more. I didn’t want to leave that bowl behind. I didn’t want someone who didn’t care about it to just grab it and throw it out. It hangs in my kitchen now. I’m looking it as we speak.

Q: Your job at Gourmet was probably every foodie’s fantasy.

A: As the executive chef of the dining room, I cooked meals for the advertisers. We’d wine and dine them. Then, we’d hit them up for advertising. It used to work really well. (laughs). I was making the best food of my life in that dining room. It was a great job.

Q: Do you have a huge stack of Gourmet magazines at home?

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